Misc. Notes, These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Purchase. Scores. Motet Notes. Orlando Gibbons: “Almighty and Everlasting God”. Orlando Gibbons ( – ) is a British contemporary of Heinrich Schütz. He is one of the. Almighty and everlasting God. composer. Orlando Gibbons (). author of text. Anonymous – liturgical. Collect for the third Sunday after Epiphany,
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Public Domain Edition notes: Almighty and Everlasting God Composer: The Choir of King’s College Cambridge: A Millenium of Music in Westminster Abbey. With a Merrie Noyse: A new and insistent point of imitation highlights the manifold nature of “all our dangers and necessities.
Almighty and Everlasting God
Original text and translations English text Almighty and everlasting God, mercifully look upon our infirmities, and in all our dangers and necessities stretch forth thy right hand to help and defend us, through Christ our Lord. AllMusic Featured Composition Noteworthy.
Introspection Late Night Partying. Tudor Music for Men’s Everlastiing. Though Orlando Gibbons was principally employed as one of the organists to the English Chapel Royal, he is far better known today for his compositions for the English church choir.
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Gibbons O – Almighty and everlasting God
Rod Mather submitted Almighty and everlasting God, mercifully look upon our infirmities, and in all our dangers and necessities stretch forth thy right hand to help and defend us, through Christ our Lord. Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. James Gibb submitted A Musical Journey into the English Renaissance. This genre took the place of the Latin motet as an independent sacred composition for choir alone.
Like his contemporaries, Gibbons wrote for the church full Services; several Verse anthems that juxtapose soloists, choirs, and often instruments; and a number of so-called “full” anthems.
Almighty and everlasting God (Orlando Gibbons) – ChoralWiki
Almighty and Everlasting God, with a text from the Anglican collect for the third Sunday after Epiphany, shows both Gibbons ‘ contrapuntal fluency and the text-sensitivity he learned from contemporary English madrigalists. Navigation menu Personal tools Log in Request account.
Collect for the Third Sunday after Epiphany Number of voices: First and Franklin Street Presbyterian Church. Music For The Festive Year. Music of the Realm: The Glory of Gibbons.
This page was last edited on 5 Augustat Views Read View source View history. Romantic Evening Sex All Themes. Jazz Latin New Age. The opening is broadly imitative, as if to evoke the expansiveness of God’s wverlasting in its counterpoint; Gibbons sets the subsequent plea that He “mercifully look upon our iniquities” to a more compact, contrapuntally more intense passage.